特集 - Art from the Land｜Echigo-Tsumari Art Field

Thinking 21st century art in the world from Niigata
Echigo-Tsumari Art Field - Official Web Magazine

Feature / Director's Column

This and that about ETAT 2022 ⑩（Written on 20 Oct）

Feature / Director's Column

This and that about ETAT 2022 ⑨（Written on 31 Aug）

Feature / Director's Column

This and that about ETAT 2022 ⑧（Written on 10 Aug）

Feature / Director's Column

This and that about ETAT 2022 ⑦（Written on 4 Aug）

Feature / Director's Column

This and that about ETAT 2022 ⑥（Written on 20 June）

Feature / Director's Column

This and that about ETAT 2022 ⑤（Written on 9 May）

Feature / Director's Column

This and that about ETAT 2022 ④（Written on 3 May）

Feature / Director's Column

This and that about ETAT 2022 ③（Written on 27 April）

Feature / Director's Column

This and that about ETAT 2022 ②（Written on 25 April）

Feature / Director's Column

This and that about ETAT 2022 ① (written on 23 Apr)

Feature / Interviews with rice farmers

Make a living by growing rice in a land of heavy snowfall

Feature / Interviews with artists

Site-Specific Artists in Echigo-Tsumari / Interviewed by Fram Kitagawa (2021-2022)

Feature / Director's Column vol.6

On the occasion of the opening of MonET: starting over as entering into the 22nd year.

Feature / Christian Boltanski

In memory of Christian Boltanski: “Thank you, Christian”

Feature / Ilya and Emilia Kabakov

Kabakov’s dream come true in Echigo-Tsumari

Feature / Column by General Director – vol.5

From work to place - ETAT2021 sets sail for future

Feature / VISITING ECHIGO-TSUMARI WITH HER, VOL.7

Echigo-Tsumari by IKOMA Sachiko - drawings of feelings when experienced artworks on site

Feature / VISITING ECHIG2O-TSUMARI WITH HER, VOL.6-2

Follow the trail of a primitive journey by KOM_I of Wednesday Campanella: An experience of a moment brought by the place

Feature / VISITING ECHIGO-TSUMARI WITH HER, VOL.6-1

Follow the trail of a primitive journey by KOM_I of Wednesday Campanella: Returning to the earth in the present era that lost its roots

Feature / Update from Kohebi - vol.1

Reconsidering the art festival in post pandemic: Briefing on "rebooting" Kohabi-tai

Feature / Visiting Echigo-Tsumari with him, Vol.4

Liberate yourself from your own information – the experience of Yosuke Yamaguchi in Echigo-Tsumari in snow

Feature / Visiting Echigo-Tsumari with him, Vol.4

Liberate yourself from your own information – the experience of Yosuke Yamaguchi in Echigo-Tsumari in snow

Feature / Director's Column, Vol.4

People’s sympathy can turn “ETAT” from a proper noun to a common noun

Feature / Director's Column Vol.3

Twenty years of changes, from the early phase when the region was opposed and the festival was postponed

Feature / VISITING ECHIGO-TSUMARI WITH HER, VOL.2-2

Chiaki Mayumura experiencing art: Imagination win over prejudice and limit

Feature / VISITING ECHIGO-TSUMARI WITH HER - Vol.3

Machiko Kyo writes about Echigo-Tsumari Art Triennale. Living with unresolved questions.

Feature / Visiting Echigo-Tsumari with her, Vol.2-1

Chiaki Mayumura challenge an artistic field trip with open mind

Feature / VISITING ECHIGO-TSUMARI WITH HIM, VOL.1-2

Yuta Orisaka’s “nostalgic journey”. Talking about an intense experience at “The Last Class”

Feature / Director's column vol.2

Advancing the “frontline” of art at Echigo-Tsumari

Feature / Column by General Director – vol.1

On the inaugural issue of the web-magazine, Art from the Land

Feature / Visiting Echigo-Tsumari with him, Vol.1-1

Strength in “Locality” and “Tradition” – what Yuta Orisaka treasures

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